The Experimental Animation class has been working with 16mm filmstrips to create cameraless animations, a la Len Lye, Norman McLaren, or Stan Brakhage. Using drawing, scratching, painting, hole punching, spray paint, tape, glue, and other tools, we created some wild abstract animations. Then, the footage was transferred, edited and manipulated digtially. Some examples are below, and more are on our class Vimeo page.
Dan Kelly:
Anne Petrokubi:
Thomas Swanson (the amazing soundtrack to this film was created by hand-scratching lines into the sound area of the film, McLaren-style!)
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